In an almost-installation a field of tension is recreated where dynamic-subjects substitute themselves to the individual-psychic, where presences connote absences, where the action is a non-reaction. Choreographically, the resource to a label language works as an emptiness of symbols, in this case, of the sentence itself: no fly zone. NFZ is thus as a perimeter, an empty place as so many other in the life of the metropolis. Or even, frontier or hall, provisional place against danger. (Né Barros)